Sunday, July 26, 2009

Summer of Glass










I'm back home after nine weeks of intensive study and practice at the Bullseye Glass factory in Portland, Oregon, and at the Pilchuck Glass School in Stanwood, WA. What I brought home from these sessions, besides several cut and bandaged fingers, are mostly just shards, pieces of things I might like to expand on later, seeds of ideas that will need time in the studio to develop. Yet I expect that the hundreds of pages of notes I took during my "summer of glass" will serve me for years to come. How inspiring it was to take myself out of the daily grind here in San Diego and work for hours on end with the likes of Jeffrey Sarmiento, Judith Schaechter and Keke Cribbs. Additionally I was exposed, nearly every day, to slide shows and lectures presented by the world's top hot and warm glass artists. These occurred at both a conference hosted by Bullseye in June, and at Pilchuck, which, since its founding in the early 1970s by Dale Chihuly, has developed a reputation as the premier international glass school. Both these venues have become magnets for top international glass artists who flock there each year to swap notes and stories. Had I not crafted a single glass item the trips would have been well worth it for what I observed from those who have been working in glass for 10, 20, 30 and 40-plus years. Here, then, are just a few of my experiments made during the summer. The image immediately above shows projects made by all of the participants in Jeffrey Sarmiento's class at Bullseye titled "Thick With Images." Whew! Well, now, I had best get back to work!

Sunday, December 21, 2008

Goodbye Arthur










My best ever editor passed away last night. He was a great mentor to so many, including me, and a friend. He was very generous with his time and freely shared many of the skills he gleaned in more than four decades as a top-rated journalist. Because of this generosity so many of us will continue to remember him as we go about our daily work and his influence will live on. Arthur, I will miss you.


Reuters
Renowned journalist Arthur Spiegelman dies at 68
Sun Dec 21 19:31:55 UTC 2008

LOS ANGELES (Reuters) - Arthur Spiegelman, one of Reuters' finest writers and longest-serving correspondents, died at home in Los Angeles on Saturday. He was 68.

In his 42 years with Reuters, Spiegelman deployed his sparkling prose on presidential elections, the diplomatic turning points of the Cold War and showbiz murder trials.

A man with a ready wit, he said he was rendered speechless only once, when he interviewed Italian actress Sophia Loren and her beauty left him without words.

Of all his beats and exclusives, he remembered most fondly breaking the news that the Soviet Union was going to relax its restrictions on Jewish emigration in the 1980s.

"Art's writing was beloved of readers and editors alike, using a light touch to explore subjects from pop culture to politics and an ability to find a laugh or wry angle anywhere. He was a friend and mentor to legions of journalists," said Reuters Editor-In-Chief David Schlesinger.

Spiegelman's graceful prose and unfailing sense of humor made him one of the most admired correspondents at Reuters. He retired last month on grounds of ill health.

He was born and raised in the Bronx, New York. After a stint at The Record in Hackensack, New Jersey, Arthur joined Reuters in 1966 and was posted to London where he edited stories for American clients. He then worked as a reporter, covering the Northern Ireland conflict among many other events.

He transferred to New York in 1972, working as chief editor and national correspondent before moving in 1985 to Manila to cover the upheavals of the Ferdinand Marcos government.

After a further stint in New York as a national correspondent he moved to Los Angeles in 1997 where he specialized in the entertainment industry. In 2006, he was named one of Reuters' journalists of the year.

Generous with his time and hospitality, Spiegelman mentored hundreds of young journalists. His office door was always open and his home a regular venue for meals and parties. He was renowned for his crisp and witty lead paragraphs, an incredibly messy desk, and his infectious giggle.

Spiegelman covered U.S. presidential campaigns from 1976 to 1996, and was frustrated that his struggle with cancer kept from him covering this year's election.

He covered the murder of John Lennon in 1980, the Reagan-Gorbachev summit in Moscow in 1988, the Gulf War of 1990-91, and the O.J. Simpson murder trial in 1995.

Spiegelman said the highlights of his late career focus on entertainment included interviews with Kirk Douglas, comic Don Rickles, and Sophia Loren.

Outside of work, Arthur was a jazz buff, loved books and New York bagels, and enjoyed his summers at the family's cabin in the Berkshires in western Massachusetts.

(Writing by Belinda Goldsmith, Editing by Sean Maguire)

Saturday, November 22, 2008

I Won!

I won the First Place award in "Emerging Artists" category of the 27th Annual Juried Glass Show of the Art Glass Association of Southern California. There were 19 local, national and international sponsors of the show. I won $500 worth of the glass of my choice from Portland, Oregon, based Uroboros, an international glass manufacturer. There were three independent judges including a museum curator, established glass artist, and executive from internationally recognized dichroic glass manufacturer, CBS. The piece will remain on exhibit at Spanish Village, Balboa Park, San Diego, through December 8, in Studio 21.

Monday, October 13, 2008

Yesterday, Today, Tomorrow



Glass people often say to each other: What's in your kiln today? Well here's what was in my kiln yesterday and today.

Friday, October 3, 2008

A Prayer For Healing

Sunday, September 28, 2008

Hometown Gritty





Ghosts and Prayers

Friday, March 14, 2008

It's a Wrap



I got so sick of those darned glue-on bails (you know, the little silver loops that attach the pendant to the chain) that I started making my own with silver wire. You loop it through and around and twist and ... voila!

Monday, March 3, 2008

Hi Again!



Today is day 2 of firing "Glass Sarah" and I must say it's disconcerting to have my own eyes staring back at me. I kind of feel like Dr. Frankenstein. This needs more firing!

Saturday, March 1, 2008

Hi!



I'm working on my self portrait in glass -- but I'm not quite finished yet.

Saturday, February 23, 2008

Stop It!

Wednesday, January 30, 2008

While In The Forest



Kilnformed frit and glass; made during class with Roger Thomas

Monday, January 28, 2008

Hanging On

Wednesday, January 16, 2008

Can You See The Light?


These are my first sconce prototypes. More to come.

Saturday, January 12, 2008

Life Isn't Easy


And sometimes the glass wins ...

Wednesday, January 9, 2008

A Prayer For Me and for You (Yeah, You).

Abundant light
Shining forth into our lives
God's peace and happiness
lots of love
and all good things
every day
in 2008.

Actually I needed some wall sconces, and, well ... they're not finished yet but I was so excited when I opened the kiln I breathlessly took bad photos and posted them! They still need to be polished and bent and to have the lighting hardware added. But I like them so far!

Let there be light!


Monday, November 19, 2007

Busy Season

For me holidays have become a busier season than ever. I am busy selling lots of glass.





Thursday, September 13, 2007

Exuberance





Saturday, August 11, 2007

Ice Cream Social



There is an ice cream social to raise money for the CASD gallery tonight and I've been making bowls.

Tuesday, July 31, 2007

'I have seen the light and I'm crowing.'

"A rooster crows only when it sees the light. Put him in the dark and he'll never crow. I have seen the light and I'm crowing.”

-- Muhammad Ali



Kilnformed frit painting

Wellspring





Kilnformed crushed and powdered glass frit

Friday, July 20, 2007

Blue Air, Love and Flowers

"I simply opened the window of my room and the blue air, love and the flowers came in." - Marc Chagall

Monday, July 16, 2007

Nuances


Kilnformed crushed and powdered glass (frit).

Sunday, July 15, 2007

A Midsummer Night's Dream







I have had articles published all over the place but never have I been as thrilled as I was last night to see my lily bowl, which I made with crushed and powdered glass, in this "Midsummer Night's Dream" window display at the CASD Gallery on Ray Street, San Diego.

The display, by artists Vaughan Nelson and Cindy Teyro, is so beautiful. Never have I seen my glass displayed in such a nice way. Thanks Vaughan and Cindy!

Tuesday, July 3, 2007

Broken Bottles

Tuesday, June 26, 2007

Santana Liebert Swirls



I was listening to Carlos Santana and later Ottmar Liebert -- and I had glass in my hands -- and this is what happened!

Sunday, June 17, 2007

Frit Fusing Extravaganza


Here are some projects from my work with Richard LaLonde this week. I thoroughly enjoyed myself while learning to work with glass powders, otherwise known as "frit."

Monday, June 4, 2007

Tug 'O War


The kids are playing together, sharing toys, and it appears they get along.

Meet Selena


Selena was born of European champions two years ago in July. A San Diego resident had intended to show her. When Selena turned out smaller than expected she was no longer wanted. Selena was placed in a new home with a family that loved her but was unable to give her the attention she needed. Shortly thereafter she ended up in Poodle Rescue. We adopted her yesterday. She is a little disoriented but so far she and Cosmo are becoming fast friends. Selena is a friendly and sweet, if frightened, girl.

Tuesday, May 29, 2007

Happy Birthday Cosmo



This is my best friend Cosmo and he will turn 2 this week. He likes to play games, sleep, chew, run on the beach, mingle with other dogs, chase uninvited critters in the yard and protect his family at all costs. He does not like to be left alone and has no problems making his feelings known. . .

Wednesday, May 23, 2007

It's a Chemical Reaction

Certain types of glass look so interesting when you fire them with precious metals.

Opalicious

Who needs opals when you have glass?

Friday, May 18, 2007

Glowing stripes Candle Rest

Bluegreen Sea Baby Votives


Blue Flower Power Mood Bowl

Blue Ocean Necklace

Wacky Organic Stripe Bowl


I don't know -- it was the way I was feeling today ...

Thursday, May 17, 2007

Madly Deeply Blue Vessel Sink




After several days of firing at temperatures up to 1500 degrees I finished a cobalt and dichroic blue glass vessel sink and I'm in love with the color. I haven't yet drilled the drain hole but this could remain as is for a beautiful centerpiece bowl.

Wednesday, May 16, 2007

Funky Egyptian Mood Mirror



Featuring recycled Glass (from an auto windshield)

Saturday, April 28, 2007

We Wore The Same Prescription


This is a work in progress: acrylic paint, glitter, grout, lumber, recycled glass.

Friday, April 27, 2007

Wandering Texas Peacock at Sunset

Acrylic paint, paper, glitter, lumber, grout, recycled tempered glass from a broken shower door.

Thursday, April 5, 2007

Sunshine Sushi and Stix

I no longer eat raw fish but I really like making sushi plates. I suppose this could be a soap dish, or ...

Sunday, April 1, 2007

Springtime Jewels!



I've been busy making earrings, pendants, necklaces and bracelets for the spring!

Friday, March 30, 2007

The Dancing Hen

The dancing hen is made of cast glass. In other words I sculpted my own mold and melted the glass into it at very high heat. I have to find this hen some music and maybe a disco ball.

The mold was made in a class with Michael Dupille who is an amazing image maker, generous instructor, and sells a great product called Castalot.

Tuesday, March 27, 2007

Luscious Lilies



I just finished the second firing on tiger lilies I created with small chunks of glass and ground glass powders. I am not quite finished with this piece -- and I have not yet formed it into a bowl shape.

Sunday, March 25, 2007

Color and Light





Here are some photos from the Many Hands Artists' Gallery of which I was a board member last year. I love the way sunlight filters through the glass and casts splashes of color around the room. . .

The votive pictured here (top) bears a red spiral, a symbol I use often. The spiral is a common Celtic design element symbolizing rebirth or resurrection.

Friday, March 23, 2007

Fusing is Fun for the Whole Family!

Thursday, March 22, 2007

How Did This All Begin?







As a small child I used to pick up a writing implement and simply draw what was in front of me, sometimes for hours. I drew this picture (top) as a 4-year-old while sitting on my front porch observing a wasp's nest. I used oil pastels.

Somehow I got busy with other endeavors and didn't draw much again until 1993. On a hot summer day while interviewing a Florida artist in her studio a pile of colorful swatches of painted fabric caught my eye. I felt my heart leap and said: "I need to be doing some of this. I mean it. I need to be painting." She said: "Why don't you take a class?" And so I took an oil painting class.

The painting above was my third -- but it wasn't truly mine. The instructor told the class to emulate artists we admired in order to learn about brush strokes and color mixing. I adored French post-Impressionist Cezanne's still life work so I created a Cezanne knock off. Somebody offered to buy this painting but I wouldn't part with it.

I was hooked on art and became a class junkie. Over the last decade I worked by day as a journalist, while taking art classes by night. Then I found glass fusing in a friend's kitchen three years ago. It was holiday time and the two of us, along with several other friends, were making fused glass votive holders as gifts.

Eventually, my friend, a talented stained glass artist who owns a tiny tabletop kiln that seemed to be running 24 hours a day, gently suggested I buy my own, since her kiln was getting tired from overuse. Since then I have been traveling the country, as time has permitted, to focus my studies on fusing glass.

PMC For You And Me


Not to confuse things, I also work with PMC, otherwise known as Precious Metal Clay. Recently I studied with master instructor and author CeCe Wire. After completing a set number of projects to her satisfaction, I received certification as an instructor by the national PMC Guild. Precious Metal Clay, made by Mitsubishi, consists of pure silver suspended in a clay binder which burns out in a kiln. So you actually fashion a piece of jewelry in the clay and after it spends time in the kiln what is left behind is a piece of silver jewelry. Pretty neat, huh? My primary focus is glass but I occasionally enjoy working with PMC and combining it with my glass jewelry.

Dichroic Jewelry



When I started selling my glass last year dichroic jewelry pieces were among the first that I sold. Dichroic glass was once used in the aerospace industry and by NASA to heat and cool equipment and redirect light. To that end it contains a coating of metals and crystals that often resembles a gemstone or precious metal and transmits a different color than it reflects. In the last 25 years or so, artists began scrounging around the trash bins at the big aerospace companies to find dichroic scraps but at that time it wasn't always possible to heat them in a kiln with good results. In the last decade manufacturers got wise and began making this glass available to artists in a more standardized, fusible, form. The first impulse is usually to use a lot of dichroic, which is what I did. That can be beautiful, but it's also nice to give the eyes a rest and use just a little. Anyway here are some of my early attempts at dichroic pendants. I find the colors mesmerizing.

Piece 'O My Heart Wall Jewelry


Everybody needs to dress up their walls. I know I do. Because I don't enjoy working with lead, I made this piece of wall jewelry with zinc, copper, lead-free solder, and, of course, stained glass. . . It was kinda fun.

Mica Mania


I am experimenting with micas and precious metals. I made this tile with red mica, black stained glass, a sandblaster, and real gold. I have to learn to go easy on the gold. A little gold goes a long way ... The gold was suspended in a brown liquid when I first painted it on the tile and I didn't see it shine until after the tile was fired. Whoa.

Refrigerator Magnetism


Of all the things I've made lately my stepson really likes my refrigerator magnets. So there you have it.

Sunday, March 18, 2007

Concrete Dreams


I recently hand-troweled and stained this concrete kitchen floor. I kinda like it.

Sandblasters, Sanders and Lathes, Oh My


Avery taught me how to use a sandblaster, wet belt sander and lathe and boy did I have fun. I never thought the day would come when I would be so enthralled by power tools. I just can't wait to have my own sandblaster! Here is a small impromptu tile I did quickly using a sandblaster, piece of stained glass and a kiln. I could have kept going but this was just a little experiment.

Welcome To The Ocean


I have just returned from spending a few days on Avery Anderson's farm in Oregon. What an amazing artist, mentor and teacher she is. In making this bowl I fused, sanblasted, silk screened, cold worked and slumped the stained glass. Then I added gold luster accents. After firing it for the third time I couldn't wait to see it so the minute the kiln was opened I snapped a picture. It's still sitting in the steel wok in which it was slumped to create its bowl shape.

Thursday, January 11, 2007

I Make Mosaics Too




I made this angel during a family member's illness as a prayer for his good health. It contains glass, millifiore, semi-precious gemstones, ceramic, rosary beads, mirror, and broken plates belonging to various close relatives.

Tuesday, January 9, 2007

I'm Into Botanicals...



I like to draw and paint flowers and botanicals. I fired this combining several layers of glass powder and stained glass.

Experiments I like


Experiments sometimes turn out well, at least in my opinion. One day as I was combining various chunks of broken glass I threw some pure silver leaf in the pile and fused everything altogether. After several more firings I beaded my pendant with a combination of sterling silver, Murano glass, Swarovski crystal and shell.

Sunday, January 7, 2007

Harvest Plate -- Fired Multiple Times







Sometimes I fuse my bowls and platters in a kiln over several days until I am satisfied that they are done. I wasn't satisfied with this harvest plate for two or three days and so I kept adding layers of broken glass and glass powders, firing it repeatedly until I liked the way it looked. Each firing takes about 24 hours. Glass is temperamental and temperature has to be increased and decreased very slowly and deliberately until tiny pieces of glass soften and ultimately melt, or fuse, together to make a whole. These photos show the different stages of the bowl. I opened the kiln when it reached about 1485 degrees to show what hot glass looks like when it is in the process of fusing together.

The Mad Sunflower


" ... my love is a mad sunflower that forgets
fragments of sun in the silence"

-- Isabel Fraire

Art Quotes I Have Been Hoarding...

I have been hoarding these art quotes and now I share them with you....



“The color shrieked.” Edvard Munch, on “The Scream.”

<>“I’m glad I haven’t found my style yet. I’d be bored to death.” – Edgar Degas <>

I mean you know, if the audience ain’t gonna dance then I’m gonna do their dancing for ‘em, they can watch me have a good time." Pete Townshend


<>“Painting is a language which cannot be replaced by another language. I don’t know what to say about what I paint, really.” – Michelangelo

“Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.” – Balthus

“Believe it or not, I can actually draw.” – Charles Baudelaire

<>“I think that the very earliest influence was a horror of having to work in a bank or an office, a desire for a free and creative life.” – Friedrich Nietzsche <>

“Reality is merely an illusion, albeit a very persistent one.” – Hans Hofmann

“I don’t get into “becauses.” When you come into a studio you see a number of works. My habit is to go to the one I like most. If you start to say “because” you get into art jargon.” – Albert Einstein

<>“My breakthrough came very late in life, really only starting when I was 50 years old. But at that time I felt as though I had the strength for new deeds and ideas.” – Hans Hofmann

“The fool doth think he is wise, but the wise man knows himself to be a fool.” – Robert Hughes

<>
“We are shaped and fashioned by what we love.” – William Shakespeare

“Impressionism is the newspaper of the soul.” – Henri Matisse

<>“After a half-century of hard work and reflection the wall is still there.” – Henri Matisse <>

“You can’t be at the pole and the equator at the same time. You must choose your own line, as I hope to do, and it will probably be color.” – Vincent Van Gogh
<>

“I am out to introduce a psychic shock into my painting, one that is always motivated by pictorial reasoning: that is to say, a fourth dimension.” – Marc Chagall

“I had to find some special occupation, some kind of work that would not force me to turn away from the sky and the stars, that would allow me to discover the meaning of life.” – Marc Chagall

“My name is Marc, my emotional life is sensitive and my purse is empty, but they say I have talent.” – Marc Chagall

“You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life.” – Salvador Dali

<>“When I paint, the sea roars. The others splash about in the bath.” – Salvador Dali

“At the age of six I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been growing steadily ever since.” – Salvador Dali

A Little About Me

I worked as a journalist for nearly two decades before becoming hopelessly hooked on fusing together tiny chunks of stained glass in a friend's kiln at very high heat. Three years and five kilns later I have a studio in San Diego, my original art glass creations are carried in several Southern California galleries and shops. I specialize in making two-dimensional images with fused glasses and enamels. Over the past year I mainly sold glass jewelry and functional art pieces. Recently I began accepting commissions for handmade sinks, light fixtures, tiles and back splashes. As a sideline I enjoy making mosaics and concrete sculptures. Much of my work is made from recycled materials. I have studied with some of the world's top glass artists including at the reknowned Pilchuck School in Stanwood, WA. My work has been sold in several local San Diego galleries. In 2008 I won First Place in the Emerging Artists category at the annual juried show presented by the Art Glass Association of Southern California. The show was held in Studio 21 of the Spanish Village Art Center, Balboa Park, San Diego.